Story by Theodore Sturgeon | ||||||||||||||||||||||||||||||||||||||||
Teleplay by David Gerrold | ||||||||||||||||||||||||||||||||||||||||
Directed by John Hancock | ||||||||||||||||||||||||||||||||||||||||
Original Airdate - September 27, 1986 | ||||||||||||||||||||||||||||||||||||||||
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Story: | ||||||||||||||||||||||||||||||||||||||||
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Theodore Sturgeon's original short story of the same name is quite different from this adaptation, though the basic story is the same. The short story places the emphasis on the girl's attempted suicide, and her story is told in flashbacks while her rescuer listens. The teleplay does not explain clearly what the saucer is, leaving the audience to figure this out on it's own till the ending narration, while the short story is very clear on what it was right away - a sort of message in the bottle from a lonely creature. That being said, I'm not sure there was a better way to film this story. It might have been a little more dramatic to film it as Sturgeon wrote it, though it would then have been an unutterably dreary piece. There is no doubt that the teleplay is lacking in drama, for the most part because we just can't whip up any sympathy for that main character. Shelley Duvall is generally always good, but again I'm not sure anyone could have done much with this woman. In the short story the character is definitely portrayed as a nobody, the kind of person whom no one notices and though Shelley does this job extremely well, most of what we see is just Shelley with a vacant look on her face. Whether non-acting or the director's vision, it's just not enough to make us care about her. Nan Martin plays the mother as an alcoholic, embittered woman, jealous of anything her daughter might have that she doesn't, but even with that small of a part she has more presence than Duvall does in the entire episode. Richard Libertini is practically wasted as the rescuer; he's onscreen for less than five minutes. The short story is not that good; in fact, it's one of my least favorite Sturgeon stories, which is tough to say because I generally love all his work. What I would have loved to see the new Twilight Zone adapt was his "Shottle Bop," a ripping good ghost story, or possibly "The Other Celia," an alien story of a different sort, instead of this tale. However, any Sturgeon story is a wonderful addition to a TV series, and I thank the writers of the NTZ for using two of his stories during it's run. Sturgeon died not long before this episode aired, which accounts for the dedication at the end. Today's television could truly benefit from using a few of his tales, though I suppose that will never happen. I'm not sure the writer's of UPN's past Twilight Zone disaster had read anything other than the back of a cereal box. Their stories certainly don't reflect any more imagination than the ingredient panel on a box of Kix. |
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